From the majestic Olympic Fanfare and Theme by the renowned John Williams to Beethoven’s dancelike Symphony No.7, this vivacious program showcases the TMU wind ensemble, Chamber Strings, and Orchestra in an exciting program.
The opening fanfare performed by the TMU Wind Ensemble is starkly contrasted with the powerfully moving Adagio in G minor by Albinoni (arr. Giazotto) played by the chamber strings featuring Prof. Janet Shulman as soloist.
Infectiously rhythmic, Tico Tico, is a Brazilian choro (instrumental popular music piece) written by Zequinha Abreu. It is, in a word, catchy. Its attraction can be measured by the countless arrangements for various ensembles including this orchestral arrangement by Clif Clonot.
In anticipation of Beethoven’s 250th year, this program ends with his effusive Symphony No. 7. In 1813 the work premiered, conducted by Beethoven, in a concert benefitting Austrian and Bavarian soldiers wounded during the Napoleonic wars. It is strikingly optimistic displaying the composer’s fierce positivity even after becoming deaf. Dark and brooding, the second movement’s sobriety contrasts the rest of the work, perhaps hinting to upheaval of the Napoleonic wars surrounding the symphony’s origin. The dizzying speed of the third movement and the dramatic harmonics of the final movement bring this work to a triumphant end.
The Master’s University and Seminary admit students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, national and ethnic origin in the administration of its educational policies, admissions policies, scholarship and loan programs, and athletic and other school-administered programs.
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